Résumé Dans sa configuration actuelle, l’intellect général est à la fois fragmenté et dépourvu de perception collective et de conscience de soi. Seule l’émergence consciente du travail cognitif comme incarnation sensible et sociale de l’intellect général permettra l’avènement d’une recomposition de notre connaissance commune, scientifique, technique, affective, organisatrice, ainsi que de notre intérêt commun.

_The Uprising_ is an Autonomist manifesto for today's precarious times, and a rallying cry in the face of the catastrophic and irreversible crisis that neoliberalism and the financial sphere have established over the globe. In his newest book, Franco "Bifo" Berardi argues that the notion of economic recovery is complete mythology. The coming years will inevitably see new surges of protest and violence, but the old models of resistance no longer apply. Society can either stick with the (...) prescriptions and "rescues" that the economic and financial sectors have demanded at the expense of social happiness, culture, and the public good; or it can formulate an alternative. For Berardi, this alternative lies in understanding the current crisis as something more fundamental than an economic crisis: it is a crisis of the social imagination, and demands a new language by which to address it. This is a manifesto against the idea of growth, and against the concept of debt, the financial sector's two primary linguistic means of manipulating society. It is a call for exhaustion, and for resistance to the cult of energy on which today's economic free-floating market depends. To this end, Berardi introduces an unexpected linguistic political weapon--poetry: poetry as the insolvency of language, as the sensuous birth of meaning and desire, as that which cannot be reduced to information and exchanged like currency. If the protests now stirring about the world are to take shape and direction, then the revolution will be neither peaceful nor violent--it will be linguistic, or will not be at all. (shrink)

An examination of new forms of alienation in our never-off, plugged-in culture—and a clarion call for a “conspiracy of estranged people.” We can reach every point in the world but, more importantly, we can be reached from any point in the world. Privacy and its possibilities are abolished. Attention is under siege everywhere. Not silence but uninterrupted noise, not the red desert, but a cognitive space overcharged with nervous incentives to act: this is the alienation of our times... —from The (...) Soul at Work Capital has managed to overcome the dualism of body and soul by establishing a workforce in which everything we mean by the Soul—language, creativity, affects—is mobilized for its own benefit. Industrial production put to work bodies, muscles, and arms. Now, in the sphere of digital technology and cyberculture, exploitation involves the mind, language, and emotions in order to generate value—while our bodies disappear in front of our computer screens. In this, his newest book, Franco “Bifo” Berardi—key member of the Italian Autonomist movement and a close associate of Félix Guattari—addresses these new forms of estrangement. In the philosophical landscape of the 1960s and 1970s, the Hegelian concept of alienation was used to define the harnessing of subjectivity. The estrangement of workers from their labor, the feeling of alienation they experienced, and their refusal to submit to it became the bases for a human community that remained autonomous from capital. But today a new condition of alienation has taken root in which workers commonly and voluntarily work overtime, the population is tethered to cell phones and Blackberries, debt has become a postmodern form of slavery, and antidepressants are commonly used to meet the unending pressure of production. As a result, the conditions for community have run aground and new philosophical categories are needed. The Soul at Work is a clarion call for a new collective effort to reclaim happiness. The Soul at Work is Bifo's long overdue introduction to English-speaking readers. This Semiotext edition is also the book's first appearance in any language. (shrink)

A wide-ranging exploration of the present, and the future, of the Unconscious. The Unconscious knows no time, it has no before-and-after, it does not have a history of its own. Yet, it is not always the same. As it emerges in the life of people and societies, the Unconscious is shaped by ever-changing historical conditions: its form depends on the unique 'psychosphere' of each historical age. In the early twentieth century, Freud characterised the Unconscious as the dark side of the (...) well-ordered framework of Progress and Reason. At the end of the past century, Deleuze and Guattari described it as a laboratory: the magmatic force that ceaselessly brings about new possibilities of imagination. Today, at a time of viral pandemics and in the midst of the catastrophic collapse of capitalism, the Unconscious has begun to emerge in yet another form. In this book, Franco 'Bifo' Berardi vividly illustrates the form in which the Unconscious will make itself manifest for decades to come, and the challenges that it will pose to our possibilities of political action, poetic imagination, and therapy."--Publisher's description. (shrink)

Résumé Une innovation politique susceptible de remodeler le paysage politique mondial est l’enjeu réel de l’unification européenne. Pour ce faire Bifo réclame que le projet européen s’autonomise par rapport à l’extension illimitée du principe libéral porté par les forces mondiales dominantes et prépare leur renversement. Un « nationalisme européen » constituerait une impasse : la construction européenne sera extensive, postnationalitaire, elle se fera par le bas. Constitutionnaliser l’espace européen, c’est constitutionnaliser un devenir de réseaux. Dans le réseau c’est le (...) gouvernement des minorités qui est à l’ordre du jour. (shrink)

Answering to Richard Barbrook’s statements concerning the « the numeric nobility » and « Californian » ideology; Bifo who has lived directly events bound by free radios adventure restores facts and institutionalizing meaning of Felix Guattari’s activist activity. Through the figure of the « technos-nomads », he shows how rhizomatic thought is alone in capacity to realize current changes in the networks universes. He puts bombast it, «aesthetics paradigm » only to realize and to fight against the depth of (...) the contemporary infringements on the sensibility. (shrink)

Wij presenteren Berardi’s herwerking van de ideologiekritiek in drie stappen. Eerst schetsen wij de context waarin Berardi de ideologiekritiek herdenkt. Hij bouwt verder op de ontdekking van Deleuze en Guattari dat de taal van het kapitalisme niet de code, maar de axiomatiek is. De economische wetenschap biedt, volgens hen, mensen geen identiteit aan, maar bestaat uit een reeks commando’s die stromen van geld, arbeid, elektriciteit, enzovoort reguleert. Daaraan koppelt Berardi de observatie dat het hedendaagse kapitalisme vooral tekens (...) verhandelt in plaats van producten waarnaar zulke tekens zouden verwijzen. In een tweede stap brengen wij tegen deze opvatting in dat Berardi nog steeds vasthoudt aan de representatieve waarde van de economische wetenschap. Deze laatste zou enkel een afbeelding bieden van de realiteit en die vervalsen in het voordeel van het status quo. Sociologen uit de traditie van de actor-netwerktheorie (ANT) hebben dat echter betwist. Zij beweren dat de economische wetenschap de economische realiteit niet zozeer afbeeldt, maar actief vormgeeft. De economische wetenschap heeft de mens geschapen naar zijn evenbeeld: als homo oeconomicus. Het is dan ook een vergissing om de economische wetenschap te bekritiseren voor haar valse representaties. Zij maakt die immers waar. In een derde en laatste stap leggen wij in Berardi’s teksten een nieuw criterium bloot voor ideologiekritiek. In plaats van de economische wetenschap te bekritiseren voor haar valse uitspraken over de realiteit, moeten wij nagaan of de economische wetenschap een manier van leven promoot die mensen in staat zijn te onderhouden. De economische wetenschap is dan ideologisch als en slechts als zij een onhoudbare vorm van leven propageert. Volgens Berardi kan de hedendaagse economische wetenschap hiervan terecht beschuldigd worden. In zijn psychopathologie van het kapitalisme wijst hij immers op de negatieve psychische gevolgen van het hedendaagse kapitalisme, namelijk de instandhouding van een cyclus tussen paniek en depressie, een verlies aan betekenisvol menselijk contact en een neiging tot neurotisch vasthouden aan oude economische recepten die hun failliet reeds meermaals bewezen hebben. Niet de waarheid zal ons verlossen, maar in de verlossing ligt het ware leven. (shrink)

The purpose of this essay is to provide an interpretive and evaluative introduction to Franco ‘Bifo’ Berardi’s critical media theory and to situate it with a view to understanding but also thinking beyond the limitations of an aesthetic practice rooted almost exclusively in conscious, language-based thought. It begins by examining the way in which Berardi conceptualizes the techno-social paradigm emerging in the passage from late industrial society to semiocapitalism (a form of capitalism based on immaterial labour (...) and the explosion of the infosphere), connecting this to the ecological-aesthetic concerns of Félix Guattari. It concludes by questioning the prospects of poetry to forge lines of escape from the determinism of techno-linguistic governance, suggesting, by way of N. Katherine Hayles and Donna Haraway, that extra-linguistic, nonconscious resources may provide a broader and more viable theoretical palette for conceiving of indeterminability beyond, behind, and in the interstices of a complex digital ecology. (shrink)

In this paper we give a strong normalization proof for a set of reduction rules for classical logic. These reductions, more general than the ones usually considered in literature, are inspired to the reductions of Felleisen's lambda calculus with continuations.

This paper presents a constructive interpretation for the proofs in classical logic of $\Sigma^0_1$ -sentences and for a witness extraction procedure based on Prawitz's reduction rules.

Thirty years on from the publication of Chaosmosis, Guattari’s words invite an evaluation: ‘The aesthetic power of feeling seems on the verge of occupying a privileged position within the collective Assemblages of enunciation of our era.’ While this privilege can be seen today in the realms of social networks, mass media and populist politics, its place in contemporary artistic practices is more ambiguous. Guattari is careful to separate ‘aesthetic power‘ from ‘institutional art’, but the ontology of Chaosmosis nevertheless seems to (...) find its model in the artistic avant-garde, and artistic affects and percepts are its privileged and recurring examples. Tracing the path of Guattari’s prophecy through the last thirty years of contemporary art involves two distinct approaches: first, to analyse Guattari’s reading of Duchamp, and to follow its trajectory through a generation of thinkers who utilised Guattari’s approach to art, most notably Nicolas Bourriaud, Franco Berardi (Bifo), Maurizio Lazzarato and Eric Alliez; second, to confront Guattari’s prophecy with the post-conceptual modes of art that now appear hegemonic, and that would seem to deny its efficacy. This we might say, is to approach our problem twice – once philosophically, and again from the point of view of contemporary art. As we shall see, these approaches lead in quite different directions. (shrink)

In this book, Franco Berardi guides the reader through a wry, dark, disconcerting but also brilliant and invigorating journey through the recent upheavals that we have witnessed. He argues that if our world is dead, then the space is open for another to appear - a world where apocalypse can shake us out of our contemporary zombie-like existence.

We live in an age of impotence. Stuck between global war and global finance, between identity and capital, we seem to be incapable of producing the radical change that is so desperately needed. Is there still a way to disentangle ourselves from a global order that shapes our politics as well as our imagination? In his most systematic book to date, renowned Italian theorist Franco Berardi tackles this question through a solid yet visionary analysis of the three fundamental (...) concepts of Possibility, Potency, and Power. Characterizing Possibility as the content, Potency as the energy, and Power as the form, Berardi suggests that the road to emancipation unravels from the awareness that the field of the possible is only limited, and not created, by the power structures that implement it. Other futures and other worlds are always already inscribed within the present, despite power's attempt at keeping them invisible. Overcoming any temptation of giving in to despair or nostalgia, Berardi proposes the notion of 'futurability' as a way to remind us that even within the darkness of our current crisis lies dormant the horizon of possibility. (shrink)

Introduction: Cartographies in becoming -- The happy depression -- Integrated world capitalism -- Planetary psychopathia -- Postmediatic affect -- User's manual-- Deleuze and the rhizomatic machine -- Why is anti-Oedipus the book of the '68 movement? -- Kafka, hypertext, and assemblages -- The tantric egg -- Chaosmosis -- The provisional eternity of friendship.

Concatenation, conjunction, and connection -- The sensitive infosphere -- Global skin : a trans-identitarian patchwork -- The aesthetic genealogy of globalization -- Language, limit, excess -- Avatars of the general intellect -- The swarm effect -- Social morphogenesis and neuroplasticity -- The transhuman -- The horizon of mutation -- Consciousness and evolution -- The end.

Résumé Si le média-activisme est parvenu à libérer des espaces d’expression, il n’a pas su empêcher les médias dominants, institutionnels et privés, de se réapproprier cette libération. À travers ses effets de saturation et de fragmentation, le « sémiocapitalisme » nous a fait la peau. Les médias dominants ont détruit les médiations individuelles et collectives par leur envoûtement : leur vol du temps et de la sensibilité. C’est la dimension esthétique que le média-activisme doit aujourd’hui investir, d’abord comme art, c’est-à-dire (...) par une nouvelle production de la sensibilité, ensuite comme thérapeutique, c’est-à-dire comme soin apporté à nos appareils bio-médiatiques amoindris. (shrink)

This paper examines the unique structures of identity formation within the craftsperson/maker mindset and their relation to Western views of work and labor. The contemporary Maker Movement has its origins not only in the internet revolution, but also in the revival of handicraft during the last several economic recessions. Economic uncertainty drives people toward the ideals and practices of craft as a way to regain a sense of agency and control. One learns how to become an active participant in our (...) material lives by making and maintaining the objects that surround us. This orientation toward craft has the potential to alter the practitioner's sense of self going forward. I will argue that the work-based nature of craft leads to a unique and positive sense of self that the assumed freedom of ‘art’ and intellectualized labor unwittingly discourages. Tacit mechanisms shape the craft mindset through emphasis on skill, mastery of materials, polymathic problem solving, and quality. Hannah Arendt’s notion of the vita activa and Martin Heidegger’s arguments on modern technology reveal the dynamics between physical and intellectual labor and how many have greatly misunderstood the ‘essence’ of the craftsperson’s work. Peter Dormer and Glenn Adamson’s analysis of the nature of craft demonstrate how these two lines of thought can be unified into one system of selfhood granting the greater sense of agency many seek without relying on an individualized sense of self. The Richard Sennett shows how this sense of self challenges the desire to liberate ourselves from labor via technology and poetic autonomy as seen in Franco Berardi’s Manifesto of Post-Futurism. Malcolm Gladwell's work on intuition examines the impact of this tacit craft mindset and the psychological mechanisms that drive it. This will allow Peter Korn’s first-hand account of his own craft practice to demonstrate this structure and its inherent points of resistance against today’s hyper-individualized and resultingly selfish ways of life. Throughout this paper, a clear emphasis on materiality as a profound source of embodied knowledge will be maintained to reveal craftspersonhood as a source of deep existential fulfillment and practical philosophy. Acknowledging and embracing our intrinsic materiality and all that it has to teach us is imperative in the face of a consumption-centric culture of excess and exploitation that looms over much of the West. (shrink)

Franco “Bifo” Berardi tells us that the current transformation of every domain of social life into economy has led to “the subjugation of the soul to work processes.” There is a newfound love of work and, consequently, writes Berardi, “no desire, no vitality seems to exist anymore outside of the economic enterprise.” Concerned as it once was with “fostering the soul,” and concerned as it now is with preparing students for the job market, what role might (...) education have in Berardi’s musings? Can “creativity,” “self-actualization” and “curiosity,” which are so valued in education, still speak and help foster a sense of the soul that exceeds economy and work? In this paper, I explore these questions by providing an account of what is at stake in Berardi’s conception of the soul and its subjugation to work. I draw on his ideas to critically appraise the seemingly-benign aspirations of the “creative class,” a term coined to signal a new era for human flourishing afforded by shifts towards personal creativity in the digital economy. I then move to consider how, in particular, the ubiquitous promotion of “creativity” and “curiosity” in education tends to replicate a form of learning that puts the soul to work, as it were, promoting a narrow, self-enterprising subject with a frantic instrumental orientation towards the world. I conclude with a discussion on how demands on learners, to be always curious, innovative, nimble and open to discovery lead to panic, collapse and depression: the diseases of the soul. (shrink)

In this major new work, Gary Genosko, the world's leading English interpreter of Guattari, offers critical methodological reflections and applications that bring to life Guattari’s thought in contemporary social contexts. The volume explores his collaborations with Deleuze and Negri, and brings into focus his friendship with Franco Bifo Berardi.

In The Uprising: On Poetry and Finance, Franco ‘Bifo’ Berardi unfolds a political and clinical diagnosis of contemporary society, stating that the crisis we experience today is a permanent state of absent social autonomy and political agency. This crisis is not solely economic but is caused by semio-capitalism impacting all spheres of human life, affecting sensibility in particular—the linguistic and physical-sensuous link between the individual and the world. Taking up the term sensibility as a bodily basis of (...) experience and as an aesthetic notion, in this article I will explore the relation between individual and collective bodies, the crisis as a suspension of change, and literature, focusing on the Danish poet Ursula Andkjær Olsen’s 2017 lunatic and fragmented novel of love and economy The Crisis Notebooks, but also with reference to some of her other work. I argue that the bodily experience of crisis, as expressed in this novel, leads to an inhibited social sensibility but also, paradoxically, to a radical openness towards the world. With reference to the Danish literary scholar Anne Fastrup’s interpretation of French vitalism’s idea of sensibility in The Movement of Sensibility, I suggest that a more ambiguous, material notion of both a constructive and a destructive sensibility is crucial for its understanding, and hence—for an understanding of the relationship between body and crisis as expressed in The Crisis Notebooks. Finally, I suggest that an aesthetic notion of sensibility can provide a prism through which relations between today’s financial mechanisms and a sociocultural experience of crisis are rendered visible—if not sensuous—and it is from here that alternatives to the crisis can be found, felt, formulated or fabulated. (shrink)

We can reach every point in the world but, more importantly, we can be reached from any point in the world. Privacy and its possibilities are abolished. Attention is under siege everywhere. Not silence but uninterrupted noise, not the red desert, but a cognitive space overcharged with nervous incentives to act: this is the alienation of our times....--from The Soul at WorkCapital has managed to overcome the dualism of body and soul by establishing a workforce in which everything we mean (...) by the Soul--language, creativity, affects--is mobilized for its own benefit. Industrial production put to work bodies, muscles, and arms. Now, in the sphere of digital technology and cyberculture, exploitation involves the mind, language, and emotions in order to generate value--while our bodies disappear in front of our computer screens.In this, his newest book, Franco "Bifo" Berardi--key member of the Italian Autonomist movement and a close associate of Félix Guattari--addresses these new forms of estrangement. In the philosophical landscape of the 1960s and 1970s, the Hegelian concept of alienation was used to define the harnessing of subjectivity. The estrangement of workers from their labor, the feeling of alienation they experienced, and their refusal to submit to it became the bases for a human community that remained autonomous from capital. But today a new condition of alienation has taken root in which workers commonly and voluntarily work overtime, the population is tethered to cell phones and Blackberries, debt has become a postmodern form of slavery, and antidepressants are commonly used to meet the unending pressure of production. As a result, the conditions for community have run aground and new philosophical categories are needed. The Soul at Work is a clarion call for a new collective effort to reclaim happiness.The Soul at Work is Bifo's long overdue introduction to English-speaking readers. This Semiotext edition is also the book's first appearance in any language. (shrink)

The global financial crisis beginning in 2008 has encouraged the revitalization of a wide spectrum of leftist theorizing, but arguably the most audacious is that of ‘accelerationism’. Left-accelerationism sees the intensification of certain tendencies in late capitalist society as a way to escape its gravitational orbit and ‘repurpose’ the very material infrastructure of capitalism itself, to universally emancipatory ends. The central task here is to engage accelerationism with a thinker of the post-Autonomist tradition, Franco ‘Bifo’ Berardi. Contrary (...) to Williams and Srnicek, co-authors of the #Accelerate manifesto, Bifo asserts that acceleration per se only augments the power and dynamism of capital, and posits instead a ‘post-politics’ of ironic detachment, aesthetic cultivation, and ‘therapy’. Contrasting Bifo and accelerationism clarifies each of their assumptions and core arguments, and points the way to a more nuanced perspective on these issues, in a contemporaneous moment marked in equal measure by inestimable threat and liberatory promise. (shrink)

This article explores the shadow side of transhumanist aspirations to transform humanity using cognitive enhancement technologies (CET). The central problem concerns how the desired transhuman anthropogenesis alters the ethical capacities of the human person. Focusing on the intersection between autonomy and equity, the article posits that inequity enhances individual autonomy for some at the expense of others, hence degrading collective autonomy. This process is already unfolding under neoliberalism, as analyzed via Byung-Chul Han’s theory of psychopolitics. Han’s psychopolitics reveals how the (...) imagined increases in autonomy brought by CET would not yield an authentic enhancement of autonomy, but rather result in further undesirable permutations of humanity. It would erode autonomy while increasing inequity, thus degrading empathy and solidarity. Franco Berardi’s critique of semiocapitalism nuances Han’s theory in support of collective autonomy and an anthropogenesis guided by contemplative empathy. Conjoined, they amplify the possibilities for alternative therapeutic forms of transformational CET. (shrink)

El estado del avance tecnológico actual permite pensar en formas en las que la humanidad podría tener una mejor vida, pero, por el contrario, las condiciones parecen ser peores cada día. Las propuestas de Nick Srnicek y Alex Williams, y de Franco Berardi, abordan el problema de superar la sujeción de la tecnología al neoliberalismo, para permitir un mejor vivir. Sin embargo, sus propuestas, contrahegemonía y liberación del conocimiento, se separan en la forma, entre un proyecto político y (...) la morfogénesis producto de la comunidad. (shrink)

This text offers a discussion of the concept and experience of alienation, as it has been theorized in two very different traditions. Accordingly, I juxtapose a recent discussion by Italian Autonomist Marxist Franko “Bifo” Berardi to that of Argentine philosopher and scholar of indigenous cosmologies Rodolfo Kusch. Unlike Berardi’s anti-capitalist critique, Kusch identifies Western Modernity (and not just capitalism) as the source of alienation, and proposes a “de-linking” from its categories and epistemic practices. I caution that even (...) a progressive meta-theory such as Marxism can engage in conceptual violence, when it claims universal validity. (shrink)

Background Ethical conflict is a problem with negative consequences, which can compromise the quality and ethical standards of the nursing profession and it is a source of stress for health care practitioners’, especially for nurses. Objectives The main aim of this study was to analyze Spanish critical care nurses’ level of exposure to ethical conflict and its association with sociodemographic, occupational, and COVID-19–related variables. Research Design, Participants, and Research context: This was a quantitative cross-sectional descriptive study conducted among 117 nurses (...) working in critical care units. Data collection tools were sociodemographic, occupational, and COVID-19–related questionnaires and previously validated Spanish version of Ethical Conflict in Nursing Questionnaire-Critical Care Version. Ethical Considerations We obtained permission from the Ethics Committee and participants' informed consent. Findings Data indicates a moderate level of exposure to ethical conflicts. The most frequent ethical conflicts were related to situations about "treatment and clinical procedures." The most intensity of ethical conflicts was related to situations about "treatment and clinical procedures" and "dynamics of the service and working environment." No statistical significance was identified between the socio-demographic variables and level of exposure to ethical conflicts. However, for critical care nurses working in ICU, nurses with perceived worked stress had a higher level of exposure to ethical conflicts. Likewise, critical care nurses whose family/friends were infected with COVID-19 had a higher level of exposure. Conclusions Critical care nurses experience a moderate level of exposure to ethical conflicts which is consistent with the results of previous studies. A deeper understanding of ethical conflicts in conflictive situations allows recognition of the situations that occur in everyday clinical practice, identification of the ethical conflicts, and facilitation of the nurses working in the challenging clinical situation. (shrink)

Oscar de Beaux was professor of Zoology at Genova University and then director of Civil Museum of Natural History in the same town. The first contributions of de Beaux which included elements of biological ethics concerned the european bison of Bialowieza and the brown bear of the Alps between 1923–1929. In 1930 de Beaux published his most important study called “Biological ethics: an attempt to arouse a naturalistic conscience”, translated also in german (1932) and in english (1933). According to Oscar (...) de Beaux, biological ethics is the study and definition of man's moral position before the living beings which do not belong to the humane race, beginning with the morale premise that man was not able to create the species. With these outlook, man takes on a decisively active and intelligent position regarding the problem of conserving nature and its resources; on the basis of this definition of morality man becomes the wise administrator of life on earth. (shrink)

Counterfactual definiteness is supposed to underlie the Bell theorem. An old controversy exists among those who reject the theorem implications by rejecting counterfactual definiteness and those who claim that, since it is a direct consequence of locality, it cannot be independently rejected. We propose a different approach for solving this contentious issue by realizing that counterfactual definiteness is an unnecessary and inconsistent assumption. Counterfactual definiteness is not equivalent to realism or determinism neither it follows from locality. It merely reduces to (...) an incongruent application of counterfactual reasoning. Being incompatible with falsifiability, it constitutes an unjustified assumption that goes against the scientific method rigor. Correct formulations of the Bell theorem’s bases show it is absent either as a fundamental hypothesis or as a consequence of something else. Most importantly, we present a coherent Bell inequality derivation carefully devised to show explicitly and convincingly the absence of incompatible experiments or counterfactual reasoning. Thus, even admitting that counterfactual definiteness could be a consistent assumption, the necessary conclusion is that it is irrelevant for the inequality formulation and can be safely ignored when discussing Bell’s inequality philosophical and physical implications. (shrink)

Vladimir Jankelevitch nato nel 1903 da genitori russi nel 1933 consegue il dottorato con due tesi, un a fondamentale e L'odissee de la con science dans la derniere philosophie de Schelling, l'altra complementare s'intitola Valeur et signification de la mauvaise con science. Queste opere contengono gia molti spunti e dimostrano una certa sensibilita di moralista. Intanto dopo aver insegnato in vari licei arrivo la seconda guerra mondiale e nonostante faccia parte della Resistenza contro i tedeschi, continua a scrivere: a Lione (...) nel 1942 vengono pubblicate Du mensogne e Le nocturne. Scrive nelle sue opere che quelli erano tempi in cui si combatteva per una speranza assurda e contro ogni buon senso non si voleva capitolare; tempi in cui gli eroi della resistenza sapevano morire senza parlare, nonostante i piu feroci supplizi. Autore prolifero fu anche musicologo e strumentista. Jankelevitch vede la dignita dell'uomo nella sua azione, sottolineando l'importanza della liberta come fondamento della soprannaturalita umana, in quanto ci permette di superare le tendenze della nostra natura e di dedicarci all'ideale dell'amore. In una trattazione morale, si presuppongono le caratteristiche della volonta, la sua liberta il suo potere e i suoi limiti considerazioni piuttosto a carattere fenomenologico. L'attenzione dell'autore si concentra invece sull'analisi dell'agire umano, le sue qualita intime, dunque invece di vedere la dottrina morale gia costituita la vede nel suo rapportarsi a questo centro soggettivo che e la volonta. (shrink)